Week 3 and 4: Selection of project

Lecture slides

Presentation slides: Week 2-4
Climatic data sites: 
http://www.worldclimate.com/
https://en.climate-data.org/
https://www.weatherbase.com/
https://www.climatedata.eu/
Read Chapter 2-3 from coursebook and the Koppen system.

Otto H Koenigsberger, O. H.IngersollT. G.Mayhew. Manual Of Tropical Housing & Building

Required Activity 

Purpose: select an example of a vernacular house in its habitat.

  1. Skim through Lessons from Vernacular Architecture, Willi Weber , and Simos Yannas ( for class discussion in week 4)
  2. You shall review all the following books (just skim through) – See contents/ index/ bibliography and select what you need.

Multiple Ebooks: Search in proquest – Vernacular Architecture
Book: Dwellings : the vernacular house world wide / Paul Oliver.London : Phaidon, 2007.
Book: Dwellings : the house across the world / Paul Oliver. Oliver, Paul, 1927
Book: Atlas of vernacular architecture of the world / Marcel Vellinga, Paul Oliver, and Alexander Bridge. Abingdon, Oxon : Routledge, 2007.

Book: Built to meet needs : cultural issues in vernacular architecture / Paul , Oliver, Paul, 1927- Amsterdam ; London : Architectural, 2006.
Book: Homeplace : The Making of the Canadian Dwelling Over Three Centuries,Ennals, Peter, Holdsworth, Deryck, 1998
Book: Casas hechas a mano y otros edificios tradicionales : arquitectura popular / John May, May, John, 1950-Barcelona : Blume, 2011.
Book: http://unesdoc.unesco.org/images/0006/000683/068316eb.pdf

 

Required Activity 

  1. You will develop a 20 page report (letter, landscape format) and present the report as a Pechakucha Presentation in class on the day of week 5 – Include most of the following in the presentation (all if you can)
    1. Name of the house and a breif history. (1 slide)
    2. Location, climatic data and classification of the climate using the Koppen system. (1 slide)
    3. Graphical representation of the climate as explained in class. (1 slide)
    4. Architecture: (max 6 slides)
      • Plans and elevations / perspectives (hand drawn, if not readily available)
      • General orientation and layout of spaces.
      • Materials of construction and the construction systems (draw or find sections) of floor, Walls, roofs
      • Windows and openings – location, direction and size
      • Surfaces and textures
      • Description of interior atmosphere
    5. Anthropology (max 6 Slides)
      • How architecture relates to their work and livelihood.
      • Purpose of each space and how occupants use spaces.
      • Interior objects – ornament and ornamentation, fabrics
      • Occupants and their lifestlye (when, during the day / night do they occupy spaces)
      • Clothing and fabrics
    6. Geography (max 6 slides)
      • Local resources and skills
      • Size of land holding and usage of land
      • Relation of the four elements, fire, earth, water and wind

Please upload your presentation 

Use this as a template

 

 

Bioclimatic design : Week 2

Lecture slides

Presentation slides: Week 2
Weather Data app
2D Sun path app
3D Sun path app
Lighting app
 
Solar Calculator: http://andrewmarsh.com/apps/releases/sunpath2d.html

Read Chapter 1 from coursebook

Otto H Koenigsberger, O. H.IngersollT. G.Mayhew. Manual Of Tropical Housing & Building

Required Readings

  • Heschong, L. (1979). Thermal delight in architecture. Cambridge, Mass: MIT Press. Page 1-30
  • Pallasmaa, J. (2005). The eyes of the skin: Architecture and the senses. Chichester: Wiley-Academy ; Chapter 1
  • Evans, I., & Smiley, L. (2002). The hand-sculpted house: A philosophical and practical guide to building a cob cottage. White River Junction, Vt.: Chelsea Green Pub.; Chapter 1Modern times [Motion picture]. (2003). MK2 Éditions
  • Bioclimatic Approach to Architectural Regionalism – Chapter 1

Required Activity

Please give your response to the readings here

You will be evaluated on..
a. Understanding the Content
b. Conceptualizing your Opinion

This weeks readings contributes a total of 4 Marks towards the final grade.
The deadline to submit your responses is before the start of the next class. You are not allowed to edit your response after submission.

Late responses receive a 20% deduction per week.

 

Tapial Avanzado – 1

Tapial avanzado 1 (3)

Dónde registrarse?

Google Formulario

¿Para quién?

Aprendizaje para arquitectos de viviendas o aprendices  constructores. El objetivo es capacitación intensivo en todo los aspectos de diseño, planeación y construction, de uso de tierra apisonada.

Espacio solo para 20 personas

Fotos de talleres anteriores

 

Cuanto?

Depende de lugar

Que Incluye?

El taller, todos materiales de construcción y herramientas para el taller

Comida, agua, te, cafe, galletas y fruta durante del taller. 

Contenido y Programa

Historia de Tapial, ejemplos y aspectos de diseño.

Tipos de construction de tapial.

Tipos de cimbras

Diseño de casas con tapial y su relación con cimbra.

Construcción y detalles de tipos de la cimentación.

Diseño estructural

Detalles de juntas, empalmes con varios materiales.

Control de contracción

Costos, Tiempos

Normativas de Construcción

Selección de material y su relación con durabilidad, textura etc.

Adaptación de varios tipos de suelos y diseno de mezclas.
Control de calidad de la mezcla.

Fabricación de cimbra.

Diseños de pisones y sus usos.

 

Diseño de terminaciones de puertas y ventanas.

Instalación de cajas y conductos eléctricos.
Curado y sellado de muros.

Actividad de diseño y critica.

Asesoria de obras planeadas de los talleristas

¿Qué tarer?

Kit de diseño/ Dibujo.

Ropa comoda.

Botella de Agua.

Sobre Varun Thautam

Me enamoré de Rammed earth en 2008 en el Instituto de la Tierra de Auroville, Cátedra UNESCO de Arquitectura de Tierra, Asia. Nuestra relación se profundizó en un hermoso romance en los años siguientes, ya que poco a poco pude entenderla. Tuve que presentarla a mis padres para construir su casa con tierra apisonada. Mirando nuestra relación profunda mientras construimos las primeras paredes de prueba en su casa, mis padres aprobaron nuestro matrimonio. Posteriormente, seguí desarrollando sus más de 4 proyectos en los próximos años.

Luego viajé a Canadá, en la Universidad McGill, exploré los métodos de difusión de la Tierra apisonada y escribí un trabajo de investigación sobre su mayor ex amante, François Cointeraux (1740-1830). Él le dedicó una vida plena a Tierra apisonada, dedicándole 4 libros y varias construcciones. Me concentro principalmente en cómo él y otros románticos antes y después de él enseñaron / difundieron la Tierra apisonada. Tomé varios talleres alrededor del mundo, India, EE. UU. Y Canadá y aprendí mucho de otros expertos sobre ella. Empecé a viajar principalmente para conocer su paradero: llevándome a México para ver el proyecto de Mauricio Rocha (Escuela de artes plásticas, Oaxaca).

Nuestra relación ha perdido fuerza, principalmente porque ha elegido amantes de la edad actual que solo la aprecian por su aspecto espectacular. Actualmente soy profesor de Arquitectura en ITESM, Querétaro y Autónoma de Querétaro y hago proyectos ocasionales en Rammed Earth, en medio de la construcción con otros materiales naturales. He sido consultor de varios arquitectos y constructores en México y he organizado varios talleres sobre el mismo. Este taller es un intento personal de reavivar nuestra relación y compartir mi romance con todos ustedes. Me ha llevado más de un año prepararme para este nuevo encuentro.

Para inscribir,

Varun Thautam

+52 442 461 9551

vtarchitect@gmail.com

 

 

Phase 2 – Project Presentations

Phase 2 – 15 Marks in total (10- Presentation, 5 – Review)

In addition to the course booklet, this year, I have added a few more rules, here they go.

  1. Develop a critique using your personal lens, well informed of other critiques about the project you have selected.
  2. It is highly recommended that you find several books / critiques on your project. Online sources are shallow. Written critique is enriching. Name your sources on the last slide.
  3. Develop a pdf that will contain 20 slides, 20 seconds each. The pdf itself will mainly be images / info graphics with little / no text.
  4. You have to present in English.
  5. You cannot read from the screen.. so you will / can hand handheld notes for each slide, study cards are highly recommended.
  6. 5 days prior to the actual presentation, you will review your critique / take on the project with a one on one meeting with your instructor. (5 marks)
  7. Set a personal time – about 20 minutes to discuss with your instructor, at a mutually agreed time – Whatsapp 442 461 9551
  8. Please post your presentations here in this folder

Rem Koolhaas – Dutch House

  • Mention deconstruvist movement and research it.
  • Very well presented, of lenses slected.
  • Go deeper in the theories of Rem
  • Use bibliography from the Library / books

Paul Rudolph – Yale school of Art

  • Very good presentation, well researched concepts of Rudolph
  • Add bibliography
  • Use references and state his themes clearly
  • is there a master and slave relationship?

Toyo Ito – Tama Art museum

  • Look at Kochuu the movie for getting Ito`s Concepts
  • There is no grid, forced asymetry
  • Engawa – from Japanese architecture- Is that concept here?
  • What other traditional Japanese architecture principles are used here? where does he diverge?
  • What is the poetry of light here?

Tatiana Bilbao – Funeraria Tangassi

  • Look at similarity with Brion tomb
  • Regionalizing this idea of a tomb
  • Whats the significance of a pink gemstone?

Part 2: Primary Research (week 5-9)

Primary research

Based on our primary research, we have established our research interests and primary questions. We shall develop groups based on our common interests. (Maximum size 3)

Our main objective as groups is to develop a well directed, focused research paper.*  We have the following meetings with the families at Santiago mexquititlán.

*if a research paper is not feasible due to time / data constraints, a detailed blog citing aim, methodology, evidences, graphic information and directions of research shall be accepted.

Our Schedule

  1. 3rd March, 2018: First meeting with families
  2. 9th March 2018: Deadline for draft submission of written abstract and methodology.
  3. 10th March, 2018: Optional voluntary second visit with families, carrying out methodologies
  4. 12th March, 2018: Compilation of data, class discussion and critique. 
  5. 17th March, 2018: Optional voluntary site visit to gather further information / Validate research.  
  6. 19th March, 2018: First draft of paper, online submission
  7. 26th March, 2018: Final paper submission, class discussion on third part of program. 

Here are the rules.

  1. You shall start using the document, sign in and strictly work on the space allotted to your group. Do not worry about formatting as multiple editors will be working at the same time. The moderator (varun) will intervene if a clash exists.
  2. You should cite any secondary research material: research papers, conferences, articles, music, documents, movies, books, magazines, stories, historic documents.. etc. 
  3. You are not to edit others words (all edits are saved in google docs). However you can comment or suggest edits.
  4. You are to read/ browse the research material of each of your colleagues and to comment on each.

Reading

You are strongly advised to read through research methods on anthropology, before making your second visit.

Bernard, H. Russell. Research methods in anthropology: qualitative and quantitative approaches. Rowman & Littlefield, 2018.

https://books.google.com.mx/books?id=LvF-afWmvlkC&lpg=PR3&pg=PR5#v=onepage&q&f=false

Your grading breakup

Grading – 50% of the terms grade is dependent on the results of this objective.

  1. 10% on commentaries on written work of your colleagues.
  2. 10% on written abstract and methodology.
  3. 10% on the compilation of data.
  4. 20% Final paper

https://docs.google.com/document/d/1jFdA2-0GmBfb-zfqsXmyRD554m_DGZRVO9EWnzRzfgU/edit?usp=sharing

 

Week 5: Site Visit: Primary Research – Gathering perspectives

Gathering research perspectives

Based on the secondary research, you will with your group prepare to have the first contact with the families in Santiago Mezquititlan.

Introduction:

Last year, we were working with a family: Araceli and her father Don Jose. They are both still learning the traditional methods of agriculture. They are both open to sharing their know-how and their experience. Based on our personal experience in Santiago we believe that it its their family that most holds a grip on indigenous thought and traditional processes.  However we understand that the source of all knowledge in the family lies with Araceli´s Mom. She is quite reserved, and talks sparingly. Our main mission would be to gain the humble confidence of this family to share their experiences.

Then we shall move on to have lunch with Doña Vicky and her family. They too store maize and have their own Milpa. Vicky is rather modern in her thought process, but her mother is quite traditional.

This is our one chance to get to know our community in study.

Our preparation

We shall on the first site visit, focus on anthropological research: listening, observing, documenting. While we already have our groups, our research questions and our methodologies in mind. We shall not impose the methodology on them on the first visit. This visit is a chance to tune our understanding, refine our questions and rethink our methodologies.

We shall be documenting all our research, as a continuous document . Images shall be uploaded on this folder. You shall upload your written experience and images by 9:00 am on 6th March 2018.

Schedule

9:45: Briefing and Meeting at Hotel Escuela, Amealco: with Eugenio

10:00: Driving to Santiago Mezquititlan

10:30: Arrival at Home of Don Jose

2:00: Lunch with Doña Viky

3:00: Visit to home of Doña Vickys moms house.

4:00: Departure from Santiago Mezquititlan

Rules

  1. Introduce yourself, your motive with love.
  2. Be humble, as much as possible.
  3. Do not have a preconceived notion of anything.
  4. Do not take anything for granted.
  5. Keep a notebook and a pen handy all the time.
  6. Bring cameras: Take photos, with permission.