Jack Arches

Why Jack Arches?

Jack arches, built of fired brick and bearing themselves on steel girders are no ecological option of building a roof. They surely consume more embodied energy than a typical RCC slab. If designed well, the steel / concrete beams that support these jack arches can work as composite structures where the brick is in pure compression and the steel in tension, where further optimization can be gained.

It is a maintenance-free roof: When built on a slope, these work as a maintenance-free alternative to the typical Mangalore tiled roof. No need to change the tiles for life, no need to bother about monkeys/rain/wind dislodging your tiles. No need for purlins that rust. Nor worry about insects lodging themselves in between tiles. No entry of mosquitos. No entry of water. Almost double the thermal performance of a RCC Slab. It brings back the vernacular Mangalore tiled roof, without the need for a complicated sloping RCC structure. 

The breathable, sound, and moisture-absorbing humility of a brick is compounded to protect and serve you well. If you believe that you want to build a space/home, that will leave an impact over more than a few generations, this method will make you fall in love with it. 

Jack arches are surely faster than a typical RCC Slab, can be loaded almost immediately, and can be built with little / no skill by anyone.

Labor of the love, of building these with the free spanning method, if done in a DIY method, will make the system 50% cheaper than an RCC slab. But one cannot place a price on that labor ;-).   The value of this skill will increase hand in hand with the increasing costs of steel and cement. 

Need for such a workshop

Over the past three years, we have been working with local masons to develop the skill of vaults and dome building with Lime-sukhi mortar. The free-spanning method is a lost skill that we are bringing back through these masons. A free-spanning method does not use shuttering, like conventional arches/vaults being built today. It is much stronger, as the individual arches lock in place while the mortar shrinks and sets. The curves are built by a mason with intuition, allowing a play of curves along different spans, allowing for expanding / contracting spans, with changing the rise of an arch. The

The free-spanning method needs a certain rational grounding, for anyone wanting to build a vault for a roof overhead. The workshop grounds you rationally and intuitively to be able to design and build small span arches, 3′ – 6′. It is the fundamental start of every “vault and dome” builder. Level 1, as my masters put it.

The site of Eng. Vijay Kumar of SKV Constructions, managed by Hemanth of Vertical 4 Construction and being designed by Ar.Veeraj Shet, allows us a practice space for 10-15 people working over two days to propagate this skill.

Background and source of knowledge.

My love for the art of building with vaults and domes started at the UNESCO Chair Earthen Architecture – Asia, Auroville back in 2008. Over the past 10 years, practicing as an architect-dome builder, I have risked the enthusiasm and trust that several clients have placed in me to experiment in their projects. Several of these experiments were aimed to unearth some of the pieces of the lost art of designing and building with vaults and domes. 

When I came to Mexico, I had a very strong foundation on the scientific methods and tools used to design and build vaults and domes. Imagining and calculating curves under compression was a mathematical and geometrical approach – pure mathematics and physics. The past 5 years here in Mexico have been such a spectacular unlearning and learning process. The master vault and dome builders here surprised me with the compete intuitive approach to this – pure art. I have been closely observing the masters of Ar.Ramon Aguirre defy gravity with his Gaussian curves. There is Maestro Andres Flores (a third generation bovedero) who can build as effortlessly and imaginatively as an ant; as if his body and soul were connected with his creations. On the other hand there are masters like James Anthony who treat this artistic profession as meticulously and religiously as a spider builds a web. Using the body as a measure has helped then evolve a form to intuitive building, that cannot be easily explained by rational science. As their humble student, I am privileged to have been growing parallelly in the rational and the intuitive methods. 

Back here in India, I’ve had the fortune of learning from the Master mason – Sonu Jangra of the Rohtak domes fame. His technique of flat domes is un-matched in the country, and possibly worldwide.

While I am no longer a professional vault and dome builder myself, workshops are an opportunity to pass on the experience gained. Maestro Andres says..sharing is the best method to learn and grow. I humbly take this opportunity to prepare myself to consolidate my learnings and seek opportunities to learn further through visits of artisans and learn from teachers who are willing to share. Below are a list of themes that can be explored in the workshop based on the turnout. 

History of Curves and Arches | History of Vaults and Domes, examples and aspects of design | Symbolism, Meaning, terminology | Materials and their properties | Adobe, Bricks, Blocks, and stone | Thermal mass, insulation, humidity buffering, climatic design | Types of mortars – Mud, Lime, Cement and gypsum plaster | Concepts of structural design of Masonry, limit state|  Design of strength, Loading, slenderness, eccentricity | Control of Safety and Reduction Coefficients | Control of drying and contraction of mortars | Structural Design and Calculations | Structural design using catenary method  (Gaudi’s and Guastavino’s method) | Structural design using funicular method (Auroville Earth Institute) | Intuitive methods of construction using body as a measure and guide (system of mexican bovederos) | Concepts of foundations, piers, buttresses, beams and ties to receive Arches, vaults and domes | Construction and Organization of work | Tracing of curves, preparing of guides, forms and scaffolds | Site organization and management of teams | Basics of quality of workmanship and control of human error | Cost and time of construction | International codes and norms | Personal and shared experiences | Impermeabilization and waterproofing | Presentation of trials and errors | Presentation of work process of artisans around the world

See some videos on the free-spanning method from around the world Read more “Jack Arches”

Bioclimatic Design – Studio workshop

About the instructor

Varun Thautam

Frequently Asked Questions

  1. Is master’s education required for further knowledge? – Architectural / Civil engineering education is recommended, however, the concepts will be covered from the basics so that anyone with basic secondary school math can understand. 
  2. Would the mentorship continue after the course? – Indeed, as time permits. 
  3. What are all the software/ apps/ tools required for this course? – Check out the tools tab, only a few of these tools will be covered. If your exercise requires the use of a tool, the use of it can be guided personally. 
  4. Will this will help me around my climate requirements? or tropical areas only? – This course covers deep concepts about materials and their use in response to climate. The concepts can be applied to any climate. 
  5. Will you provide us with proper notes/presentations? – Presentation is available freely, on this website, even without paying for the course. However, your participation is funding the development of this course and the contents of it into a book. 
  6. What is the class size per cycle – 20 Students

What others had to say after taking the course

You’ve changed my perspective at so many levels. Many others seem to carry some amount of experience and knowledge of materials and vernacular techniques etc compared to me so I’m taking a little longer to register and apply your teaching.

This is the perfect format , its very well broken to finer matter and open medium for interaction and solving queries. Thank you!!!

It was really very insightful course. My view point towards vernacular Architecture has broadened due to course. I think what is exactly we can take from vernacular Architecture and execute in modern context should be focused on more . Because most of the places are influenced by modern architecture so it is really necessary to understand how to achieve sort of balance between them.


What you need to do to prepare for the course (total of 15 hours)

Preferably attend one of the online workshops on the same topic by Varun Thautam (not a prerequisite)

Read Chapter 1 from coursebook

Otto H Koenigsberger, O. H., Ingersoll, T. G., Mayhew. Manual Of Tropical Housing & Building

Prescribed Readings

  • Heschong, L. (1979). Thermal delight in architecture. Cambridge, Mass: MIT Press. Page 1-30
  • Pallasmaa, J. (2005). The eyes of the skin: Architecture and the senses. Chichester: Wiley-Academy ; Chapter 1
  • Evans, I., & Smiley, L. (2002). The hand-sculpted house: A philosophical and practical guide to building a cob cottage. White River Junction, Vt.: Chelsea Green Pub.; Chapter 1Modern times [Motion picture]. (2003). MK2 Éditions
  • Bioclimatic Approach to Architectural Regionalism – Chapter 1

Required Activity

Please give your response to the readings here
Browse through the guidelines to prepare for the course here

Rammed Earth

We only have a space for 20 participants at a time. For the participants who have opted for food and accommodation, it is three meals a day. Check-in from noon, a day before the workshop and check out before noon, a day after the workshop. Includes three meals a day on the days of the workshop. Simple shared rooms, with simple vegetarian meals.

In case you have any questions, please contact – Namrata Toraskar : 7022 160372 Varun Thautam 6361591177 – (9:00 am to 5:00 pm, weekdays only),

Refund policy:
We will not be able to refund your amount in case you cancel your registration. However, it is transferable or can be adjusted towards our next workshops. We need a minimum participation of 12/20, by 2 weeks before the workshop, to be viable.

Cost Rs 8000/- Includes food and accommodation. Cost Rs 6000/- Excludes food and accommodation.
Lunch, tea/coffee shall be provided on both days for all participants.

About the Event

History of Monolithic construction, aspects of design | History of rammed earth | Types of formworks and its relation to built form | Design guidelines | Structural design | Rammed earth foundations | Details of joints with various materials and components | Thermal properties, density, and thickness selection | Hygroscopic properties and humidity buffering potential | Costs and time | Codes of practice and normativity | Soil identification methods | Soil stabilization Methods | Selection of materials | Texture, porosity, and durability| Design of mixes – use of additives | Designs, and fabrication of modern formworks | Fabrication of rammers | Organization of site | Curing of rammed earth, precautions | Errors, and learning from personal and shared experiences | Rectification and maintenance.

PROGRAM for both days

09:00 > 09:45 – Theory sessions

09:45 > 10:00 – Tea break

10:00 > 13:00 – Hands on training / Theory sessions

13:00 > 14:00 – Lunch break, discussion

14:00 > 18:00 – Hands on training

18:00 > 19:00 – Q&A

About the Facilitator – Varun Thautam

I fell in love with Rammed Earth in 2008 at the Auroville Earth Institute, UNESCO Chair for Earthen Architecture, Asia. Our relationship deepened into a beautiful romance over the next years as I slowly got to understand her.  I had to present her to my parents to build their house with rammed earth. Looking at our deep relationship while building the first few test walls on their house, my parents approved our marriage. I later went on to build over 4 residential projects in the next years in India. One of them went on to win Indian Architect & Builders Young Architects Award in 2014.

I then traveled to Canada, at McGill University where I explored the methods of diffusion of Rammed earth and wrote a research paper on her greatest ex-lover, François Cointeraux (1740-1830). He had dedicated a full life to Rammed Earth, dedicating 4 books and various construction to her. I mainly focused on how he and other romantics before and after taught/diffused Rammed Earth. I traveled to learn from experts around the world, India, USA and Canada. I started traveling mainly to know her whereabouts: bringing me to Mexico in 2014 to look at the project of Mauricio Rocha (School of plastic arts, Oaxaca).

However, our relationship has since lost its strength, mainly because she has chosen lovers of the current age that are only appreciating her for her spectacular looks.  I have been a consultant to various architects and builders in Mexico and have organized several workshops on the same. This workshop is a personal attempt to rekindle our relationship and share my romance with you all. It has taken me more than a year to prepare for this new encounter.

See images of previous workshops on rammed earth here

If interested in organizing one, please contact Varun Thautam

Natural Plasters and Finishes @Vanamu

WHY NATURAL PLASTERS?

A plaster that breathes, regulates temperature and humidity inside the building, absorbs both noise and odors and that ages beautifully with time. Add to that the infinite possibilities in aesthetics; Coloured or Natural, smooth or grainy, regular or patterned, contemporary or rustic; earth plaster is irresistible! Additionally, unlike paints and other chemical coatings they do not emit any volatile components which could be harmful to our health and being locally available, they reduce the environmental impact of your construction. Anybody can create and apply its own natural plaster with the soil of its place, a dose of creativity, a trowel of motivation and a bit of experience!

WHAT WILL YOU LEARN HANDS ON?

Lime surkhi finish plasters – sponge and trowel finished

Stuccos with Lime

Limewashes – Jabelgas with various oxides

Tadelakt

Fine and Ultra fine clay plasters

PROGRAM

09:00 > 09:45 – Theory sessions

09:45 > 10:00 – Tea break

10:00 > 13:00 – Hands on training / Theory sessions

13:00 > 14:00 – Lunch break, Lunch included

14:00 > 18:00 – Hands on training

18:00 > 19:00 – Q and A over Chai Samosa

VENUE

The workshop will take place at our studio space “Vanamu” @ yelahanka, Bangalore.

Vanamu

no 29, 1st Main, 1st A cross, Chikkabommasandra, GKVK post, Yelahanaka New Town

Bangalore, Karnataka 560065

Location: https://goo.gl/maps/dmAGGTgC76MhKRuz9

Be ready to get dirty! Carry a good hat and drinking water

REGISTRATION & FEES

Max : 10 participants

Fees : Rs 6000 (without food and accommodation), Rs 8000 (With food and accommodation)

TAUGHT BY

Varun Thautam www.varunthautam.com

Guest Artisans – Ananth Nagarajan / Yogesh / Siddha

How to prepare for this workshop?

  1. Get your list of questions ready and prepare for the Individual presentations and ideation – You will be required to share a few images of your past work/experience, or of the kind of work you need/aspire to. Prepare for a 5 min presentation with images. 
  2. Browse through a bibliography of sorts here: https://docs.google.com/spreadsheets/d/1byuNxjvdllu4DId_IKJDbeH1MBYCxCZBknu8V06dq2U/edit?usp=sharing
  3. See the images of past workshops here:

https://drive.google.com/drive/folders/19DTLKfOn5bLwY_H63ot6mgQUozBvkTVn?usp=sharing

  1. If you find the time, start your reading here: 

https://drive.google.com/drive/folders/1Np5Vm5tQWfvtgaNfj7VPwHBCsy6uq9zV?usp=sharing

  1. Bring in mud / lime samples, samples of mixes / plasters / pigments you are working with. 

How to get here?

https://goo.gl/maps/sTKWXSAkDup9hzC3A

We are still waiting to register our location with google. So here is an attempt, 

  1. As you come down Chikkabommasandra Main road (Kanti Sweets shall be to your left)
  2. Take the second left, then the first left and another first left to reach the dead end, we shall be on your left. 

Where to stay, eat and dine?

For the people opting for food and stay, we are setting people up at local accommodations, within 2 Kms radius of Vanamu. Meals will be arranged by Vanamu, if you have opted for it.

Refund policy
We will not be able to refund your amount in the case you cancel your registration. However it is transferable or can be adjusted towards our next workshops.
In case we have to reschedule due to low volume of registrations, or unforeseen events, we shall have to adjust the fee towards our next workshops. A decision will be taken 2 weeks prior to the workshop, based on the turnout.

 

Build the Maya Mandalam – Mar 2022

WhatsApp Image 2022-02-26 at 07.41.48

II MAYA MANDALAM II

@mayavadi_organic_farm_nandi is an experiential off-grid farm located in Nandi Hills, Bangalore. Within over 9 years of existence, they have been experimenting with the locals, agricultural techniques which allow combining farm activities and ecosystem regeneration.

This Maha Shivratri join us in building a Community-driven, Consciousness dome at Mayavadi, a symbol that would be built and nurtured by visitors to Mayavadi. We wish to provide a meditative space nestled in nature, that helps one connect with their inner consciousness.

Facilitated by @varun_thautam & Poobala Krishnan from @mayavadi_organic_farm_nandi the Hands-on Workshops spread across 10 days would see the participants learn to build Vaults & Catenary Dome with Brick and Lime, Plastering and Waterproofing with Lime, the traditional way. The participants shall also explore a spectrum of activities like permaculture, yoga, natural farming, art, and small treks and swim in the nearby Channagiri hillside.
We have the following options for the participants to choose from for registering:
Batch 1: 4th – 6th March, 2022
Batch 2: 11th -13th March, 2022
Long-term apprenticeship: 4th-13th March, 2022

More registration details in the poster and link in bio. Kindly DM Instagram @va_namu
& @grahani_gaatha for any assistance in registering.

VENUE and ACCOMMODATION
https://goo.gl/maps/DuBWfrPX5jL173qK7
More information about the space on.
https://www.airbnb.co.in/rooms/16253939 (Your registration includes the food at stay at this location)
Accommodation might be in a studio space / covered machan/tent with bathroom and shower facilities.

FOOD
Simple organic meals shall be prepared on all three days during your stay for the workshop.
This excludes the breakfast of the first day and the dinner of the last day.

FEES:

Rs 7,500 for full time students with a valid ID.
Rs 10,000 for others
Rs 2,000 for children under 10
Rs 15,000 for full time apprenticeship.

Fees include, food and stay, building materials and tools, teaching fees.
The cost of travel to Mayavadi is not included, but you might be able to hitch a ride with others driving down.

REGISTRATION & FEES

To register, make a payment via this link: https://rzp.io/l/7osg2iXvjU
Max : 10 participants

CONTACT

Namrata Toraskar 7022160372 (For general queries, payment)

Varun Thautam 6361591177 (Whatsapp only, for questions on workshop content)
ORGANISERS

Poobala Krishnan – @mayavadi_organic_farm_nandi (instagram)

Namrata Toraskar www.vanamu.org

Varun Thautam www.varunthautam.com

Intensive Mexican dome workshop

01 uttur

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

More information and registration here.

About the Organizer:

CICADA

Cicada is a multidisciplinary design firm that works within the realms of art, architecture, interior, product, education, research and social impact. We strive for a design practice that is relevant and responsive to its time, people and place.

‘Cicada’ emerged as a friendship between us while we were exploring the wilderness and villages surrounding our hometown – Belgaum. Travelling through these landscapes and learning about them imbibed in us a deep admiration for our natural and cultural heritage. Our design practice is informed and inspired by our travels and the lessons we learnt from people and places along the way. Cicada creates spaces, objects, visuals and interactions that are meaningful and grounded.

The Cause

The project is being built under a tight budget for a social cause, your participation will be well received.

About Guruvarya Agjaonkar Pratishthan :

The foundation is named after a Gandhian educationist Shri Anantrao Ajgaonkar, Uttur, who dedicated his entire life for the field of education in the remote villages around Uttur village. The foundation works in the realms of education, social welfare, environment, women empowerment etc.

10 local masons will be trained free of cost as a part of this workshop, in an attempt to transfer a low-cost technology dependent on hands-on skills. Part of your fees will go towards complete scholarships to 7 local artisan students. Their food and training shall be free.

About Hunnargurukul

A centre for sustainable technology and innovation, is an initiative by CAUSE TO CONNECT foundation. This is a residential school for artisan students who have got intuition becoming an artist and maybe not successful in formal education. It is an employability education program for disadvantaged and low financial background youth.

Carpentry and civil are the two fields in which students get hands-on training. It is completely free for the appropriate students and located in Uttur district of Kolhapur district, Maharashtra.

About the Event

This is an advanced course, where we shall be working on a live project for 7-14 days. Minimum participation is 7 days.
Theory: History of Curves and Arches | History of Vaults and Domes, examples and aspects of design | Symbolism, Meaning, terminology | Materials and their properties | Adobe, Bricks, Blocks, and stone | Thermal mass, insulation, humidity buffering, climatic design | Types of mortars – Mud, Lime, Cement and gypsum plaster | Concepts of structural design of Masonry, limit state| Design of strength, Loading, slenderness, eccentricity | Control of Saftey and Reduction Coefficients | Control of drying and contraction of mortars | Structural Design and Calculations | Structural design using catenary method (Gaudi’s and Guastavino’s method) | Structural design using funicular method (Auroville Earth Institute) | Intuitive methods of construction using body as a measure and guide (system of mexican bovederos) | Concepts of foundations, piers, buttresses, beams and ties to receive Arches, vaults and domes | Construction and Organization of work | Tracing of curves, preparing of guides, forms and scaffolds | Site organization and management of teams | Basics of quality of workmanship and control of human error | Cost and time of construction | International codes and norms | Personal and shared experiences | Impermeabilization and waterproofing | Presentation of trials and errors | Presentation of work process of artisans around the world

Practicals:  The practice of Mexican vaults with mud mortar. It is a cost-effective system of roofing, proving to be 20% cheaper than RCC slab, provided local skill is available, or that you are able to build it yourself. A roof over a bedroom can be built in a week with a team of 4.
The course consists of 20% theory and 80% hands-on work. In groups of 6, you will be building a dome measuring a minimum of 12 feet x 15 feet. 7 domes are to be built in 14 days. You will be joined by a team of 12 apprentices with prior experience. By the end of the course, you will gain in-depth intuition and a basic understanding of executing simple designs and organizing a simple project.
You will be included in the apprentice list of handmadearchitecture.org. For an in-depth understanding, apprentices can seek 2-3 day advanced workshops on each module in future. Prior practical experience is needed for advanced courses.

About the Facilitator

Brief Profile
Varun Thautam is an architect and builder, Ecological Building and Design Consultant, a Trainer and Researcher. He brings more than a decade of experience working in the USA, Canada, Mexico, and India. He has a post-professional Master’s degree in Housing and urban design from McGill University, Montreal (2012) and a Bachelor’s Degree in Architecture from the Indian Institute of Technology Roorkee (2008). He was awarded the Second Award in Global Architecture & Design Awards 2019 in the housing category, a finalist award in World Architecture Festival 2019, Finalist – Completed Buildings: Civic and community category and the Small buildings category, the BUILD Architecture Awards 2019 – Design/Build Firm of the Year 2019 – Bangalore and the Young Architects Award by Indian Architect and Builder Magazine – 2014.

His work revolves around innovations in processes. He finds ways to give people the possibility to create and build for themselves meaningfully. His interest areas are permaculture, bioclimatic architecture, rammed earth, cob, wattle and daub, stone masonry, vaults and domes, natural plasters and finishes with lime and earth. His current research explores the work of traditional artisans in India, their didactics, ways and methods of designing and building.

Through his work and research, he observes and abstracts the essential lessons and didactic methods of the preserved vernacular cultures and artisans of the world to find creative and relevant applications in modern architecture. He strongly believes that such an approach is essential in the creation of economical and ecological built environments that are in tune with the rhythms, shapes, processes, and cycles of nature. He is an apprentice to renowned bovederos (vault and dome master masons) Andres Flores Castaneda (Mexico) and James Anthony (USA) and the master plasterers with Lime and earth Amel Kadic (Bosnia) and Dawood Ibrahim (India). As a budding mason, he has conducted more than 40 design-build workshops and volunteering programs on his construction sites in India and Mexico.

As a researcher and an Academic, He has been a full time faculty of the Monterrey Institute of Technology and Higher Education (QS Global World Ranking #158) in Queretaro, Mexico 2014-2018. He has been a visiting faculty of architecture to various universities in India and Mexico. His work can be seen on www.varunthautam.com. His workshops, courses and teaching portfolio is documented on www.handmadearchtiecture.org

His experience with Vaults and Domes

“My love for the art of building with vaults and domes started at the UNESCO Chair Earthen Architecture – Asia, Auroville back in 2008. Over the past 10 years, practising as an architect – dome builder, I have risked the enthusiasm and trust that several clients have placed in me to experiment in their projects. Several of these experiments were aimed to unearth some of the pieces of the lost art of designing and building with vaults and domes. Failures continue, vaults fall, material, labour, money and time is lost. Every time that happens in a live project, the trust of someone who believed in us is diluted. Yet we continue, as with each experience more of the lost art is unearthed, and more people understand the language of this art.

When I came to Mexico, I had a very strong foundation on the scientific methods and tools used to design and build vaults and domes. Imagining and calculating curves under compression was a mathematical and geometrical approach – pure mathematics and physics. The past 5 years here in Mexico have been such a spectacular unlearning and learning process. The master vault and dome builders here surprised me with the complete intuitive approach to this – pure art. I have been closely observing the masters of Ar.Ramon Aguirre defies gravity with his Gaussian curves. There is Maestro Andres Flores (a third-generation bovedero) who can build as effortlessly and imaginatively as an ant; as if his body and soul were connected with his creations. On the other hand, there are masters like James Anthony who treat this artistic profession as meticulously and religiously as a spider builds a web. Using the body as a measure has helped then evolve a form for intuitive building, that cannot be easily explained by rational science. As their humble student, I am privileged to have been growing parallelly in the rational and intuitive methods.

Maestro Andres says..sharing is the best method to learn and grow. I humbly take this opportunity to prepare myself to consolidate my learnings and seek opportunities to learn further through visits of artisans and learn from teachers who are willing to share. I would be keen on sharing through involvement in live projects, teaching short term workshops, or academic semester’s integrated with design-build teaching practice. I have a growing collection of information prepared for diffusion; in the format of presentations, interactive learning sessions and flexible modules of practical construction. Over the past 4 years, I have shared them in formats of lectures and workshops in Mexico and India.

This is dome number 60-66 for me. Join us to make it your first”

DIY Housing Workshop

https://www.facebook.com/PopupHousing/ by Sampath Reddy

https://www.facebook.com/events/1442494222593283/

Diy housing Final

For Registrations, contact:

Fill the google form and upload your payment screenshot

 


DIY Housing Workshop 

  • Fun
  • Time efficient
  • Upcycle
  • Customizable
  • Multi useLow cost materials
  • Recyclable material
  • Assemblable Available Industrial materials
  • Open source

Design quick mobile solutions for

  • Site office
  • ­­­­Off-grid cabin
  • Workers Quarters
  • Pop up – Toilet
  • Disaster relief shelters
  • Mobile housing
  • Micro housing

Where    

Bengaluru

When

9 February 2020 and 23 Feb 2020

No. of participants

Maximum 25

For Whom?

Makers, DIYers, Students, professionals, hobbyists, architects, designers, artists. Anyone needing a pop up solution.

Program

Learn ( 8:30 am – 11.00am) 

  •         ­ Global DIY Movement and Housing Innovation
  •         Self Build Modular Framing System
  •         Joinery and Sections: T joint, I-beam, C-Channel, Tri-joint, Trusses
  •         Tools and Planning
  •         Design thinking, Creativity and Innovation, Community/Team Building

Tea break

Guided Design Exercise (11.30am to 1.30pm  )

Lunch break

Build  (1:1 scale)  (02.30pm – 05.30pm    )

  •         Living Cube
  •         Tiny toilet

Hi tea & closure

  •         Eligibility: No pre-requisites or skills needed to attend this workshop.

Trainer Profile: Sampath Reddy

  •         Aerospace Engineer turned urban systems designer.
  •         Founder of Pop-Up Housing.
  •         Awarded Top 10 innovators in the Global grand challenge by MIT Kumbhathon.
  •         Recognised by MIT Media lab SIG Emerging Worlds as one of the notable people creating impact for the emerging worlds, innovating for Billions
  •         His Pop-Up Housing project for Nasik Kumbh mela was featured in the Wall Street Journal and national and internationally acclaimed media.

Workshop fees:

Professionals: Rs. 1500/-

Students: Rs. 1000/-

 

 

Reading – Sensitivity to an alternative world

Suggested Readings

Click here for the scans. The books /movies are available in the library / online.

1. Pallasmaa, J. (2005). The eyes of the skin: Architecture and the senses. Chichester: Wiley-Academy ; Chapter 1

2. Koren, L. (1994). Wabi-sabi for artists, designers, poets & philosophers. Berkeley, Calif: Stone Bridge Press. (whole book)

3. Tanizaki, J. (1977). In praise of shadows. New Haven, Conn: Leete’s Island Books. (whole book)

Optional Readings

Evans, I., & Smiley, L. (2002). The hand-sculpted house: A philosophical and practical guide to building a cob cottage. White River Junction, Vt.: Chelsea Green Pub.; Chapter 1

Modern times [Motion picture]. (2003). MK2 Éditions


Required Activity

  1. Please give your response to the readings and movies here.
  2. You will be evaluated on..
    a. Understanding the sontent
    b. Conceptualizing your Opinion
  3. Check your calendar for the weightage / marks alloted to this activity.
  4. Check your calendar for the deadline.