Natural Plasters and Finishes Workshop @Thiruvallur

WHY NATURAL PLASTERS?

Natural plasters are made of materials such as clay, lime and other natural aggregates which are entirely bio degradable. They are durable and offer beautiful finishes with textures and colors that brings life to a space. Their breathability regulates the humidity and temperature while eliminating the chemicals that we would be exposed to, when using regular paints. Their antifungal properties resulting from their breathability reduces maintenance issues as well.

WHAT WILL YOU LEARN HANDS ON?

Earth plasters
Lime plasters
Lime washes
Lime waterproofing

 

VENUE

How to get here?

Google maps location:
6RFJ+Q5M SendrayanPalayam Play Ground, Nayapakkam, Tamil Nadu 602023

If you are opting public transport:
You can catch a train/ bus to Thiruvallur. From Thiruvallur, ask for the bus to ‘sendrayanpalayam which usually commutes every 1 hour. Bus number 52 runs this way. Ask them to stop near Grace gardens in sendrayanpalayam after the church. From here, it’s only a few steps away.

Be ready to get dirty! Carry a good hat and drinking water

REGISTRATION & FEES

Rs. 6000 for farm stay including vegetarian meals
(Hotel stay in vicinity available at additional Rs. 1000 per night. Hotel location and contact details: Sri Durga Rooms https://goo.gl/maps/ZZis1hQesSG6k7PA7)
Register through this Google form
UPI id for payments: shruthiathreya.art@okicici

CONTACT

Email id: paaridesignstudio@gmail.com
Shruthi Athreya: 9940124848

2022-02-26 | Natural Plasters Vanamu

<add original poster>

Was attended by

<add names, with each name as a link to their social media handles>

<add selected photos /videos processed>

Make this as a common outcome for each workshop

Save as a draft

We shall add text later

 

Bioclimatic Design – Studio workshop

About the instructor

Varun Thautam

Frequently Asked Questions

  1. Is master’s education required for further knowledge? – Architectural / Civil engineering education is recommended, however, the concepts will be covered from the basics so that anyone with basic secondary school math can understand. 
  2. Would the mentorship continue after the course? – Indeed, as time permits. 
  3. What are all the software/ apps/ tools required for this course? – Check out the tools tab, only a few of these tools will be covered. If your exercise requires the use of a tool, the use of it can be guided personally. 
  4. Will this will help me around my climate requirements? or tropical areas only? – This course covers deep concepts about materials and their use in response to climate. The concepts can be applied to any climate. 
  5. Will you provide us with proper notes/presentations? – Presentation is available freely, on this website, even without paying for the course. However, your participation is funding the development of this course and the contents of it into a book. 
  6. What is the class size per cycle – 20 Students

What others had to say after taking the course

You’ve changed my perspective at so many levels. Many others seem to carry some amount of experience and knowledge of materials and vernacular techniques etc compared to me so I’m taking a little longer to register and apply your teaching.

This is the perfect format , its very well broken to finer matter and open medium for interaction and solving queries. Thank you!!!

It was really very insightful course. My view point towards vernacular Architecture has broadened due to course. I think what is exactly we can take from vernacular Architecture and execute in modern context should be focused on more . Because most of the places are influenced by modern architecture so it is really necessary to understand how to achieve sort of balance between them.


What you need to do to prepare for the course (total of 15 hours)

Preferably attend one of the online workshops on the same topic by Varun Thautam (not a prerequisite)

Read Chapter 1 from coursebook

Otto H Koenigsberger, O. H., Ingersoll, T. G., Mayhew. Manual Of Tropical Housing & Building

Prescribed Readings

  • Heschong, L. (1979). Thermal delight in architecture. Cambridge, Mass: MIT Press. Page 1-30
  • Pallasmaa, J. (2005). The eyes of the skin: Architecture and the senses. Chichester: Wiley-Academy ; Chapter 1
  • Evans, I., & Smiley, L. (2002). The hand-sculpted house: A philosophical and practical guide to building a cob cottage. White River Junction, Vt.: Chelsea Green Pub.; Chapter 1Modern times [Motion picture]. (2003). MK2 Éditions
  • Bioclimatic Approach to Architectural Regionalism – Chapter 1

Required Activity

Please give your response to the readings here
Browse through the guidelines to prepare for the course here

Rammed Earth

We only have a space for 20 participants at a time. For the participants who have opted for food and accommodation, it is three meals a day. Check-in from noon, a day before the workshop and check out before noon, a day after the workshop. Includes three meals a day on the days of the workshop. Simple shared rooms, with simple vegetarian meals.

In case you have any questions, please contact – Namrata Toraskar : 7022 160372 Varun Thautam 6361591177 – (9:00 am to 5:00 pm, weekdays only),

Refund policy:
We will not be able to refund your amount in case you cancel your registration. However, it is transferable or can be adjusted towards our next workshops. We need a minimum participation of 12/20, by 2 weeks before the workshop, to be viable.

Cost Rs 8000/- Includes food and accommodation. Cost Rs 6000/- Excludes food and accommodation.
Lunch, tea/coffee shall be provided on both days for all participants.

About the Event

History of Monolithic construction, aspects of design | History of rammed earth | Types of formworks and its relation to built form | Design guidelines | Structural design | Rammed earth foundations | Details of joints with various materials and components | Thermal properties, density, and thickness selection | Hygroscopic properties and humidity buffering potential | Costs and time | Codes of practice and normativity | Soil identification methods | Soil stabilization Methods | Selection of materials | Texture, porosity, and durability| Design of mixes – use of additives | Designs, and fabrication of modern formworks | Fabrication of rammers | Organization of site | Curing of rammed earth, precautions | Errors, and learning from personal and shared experiences | Rectification and maintenance.

PROGRAM for both days

09:00 > 09:45 – Theory sessions

09:45 > 10:00 – Tea break

10:00 > 13:00 – Hands on training / Theory sessions

13:00 > 14:00 – Lunch break, discussion

14:00 > 18:00 – Hands on training

18:00 > 19:00 – Q&A

About the Facilitator – Varun Thautam

I fell in love with Rammed Earth in 2008 at the Auroville Earth Institute, UNESCO Chair for Earthen Architecture, Asia. Our relationship deepened into a beautiful romance over the next years as I slowly got to understand her.  I had to present her to my parents to build their house with rammed earth. Looking at our deep relationship while building the first few test walls on their house, my parents approved our marriage. I later went on to build over 4 residential projects in the next years in India. One of them went on to win Indian Architect & Builders Young Architects Award in 2014.

I then traveled to Canada, at McGill University where I explored the methods of diffusion of Rammed earth and wrote a research paper on her greatest ex-lover, François Cointeraux (1740-1830). He had dedicated a full life to Rammed Earth, dedicating 4 books and various construction to her. I mainly focused on how he and other romantics before and after taught/diffused Rammed Earth. I traveled to learn from experts around the world, India, USA and Canada. I started traveling mainly to know her whereabouts: bringing me to Mexico in 2014 to look at the project of Mauricio Rocha (School of plastic arts, Oaxaca).

However, our relationship has since lost its strength, mainly because she has chosen lovers of the current age that are only appreciating her for her spectacular looks.  I have been a consultant to various architects and builders in Mexico and have organized several workshops on the same. This workshop is a personal attempt to rekindle our relationship and share my romance with you all. It has taken me more than a year to prepare for this new encounter.

See images of previous workshops on rammed earth here

If interested in organizing one, please contact Varun Thautam

Lime Washes – an introduction

Lime washes depend on the ability to penetrate a rough surface and protect it, while adding a distinct identity, through the altering of textures and colors. Hydraulic lime when hydrolyzed lime (white) is the main ingredient. Impurities are added or natural pigments/oxides are added to give it its distinctive look.

Calcium reacts in the lime kiln with the clay minerals to produce silicates that enable some of the lime to set through hydration. Any unreacted calcium is slaked to calcium hydroxide which sets through carbonation. These are sometimes called ‘semi-hydraulic lime’ and include the classifications feebly and moderately hydraulic lime.

These watery paints when applied on a porous surface, penetrates and completes its hydraulic and carbonation reactions. In India, limewashes are typically re-applied once every few years, depending on the amount of weathering.  A hydaulic lime sets quickly, and needs a lot of water in the porous substrate for a good fix. Carbonation reactions depend on admixtures and exposure to the air for carbonation.

Modern limewashes are not restricted to only porous surfaces but also extend to non-porous surfaces. Using primers, acrylics and resin adhesives, limewashes have been adapted to be applied on exsting gypsum board, plywood, and even mdf.

There are many vendors around the world that supply paints under the banner of lime washes. Take a look at https://www.bauwerkcolour.com/en/environmentally-friendly-bedroom-paint/bedroom-paint-colours

Bauwek supplies lime paint for a diversity of applications, from exposed brick walls to plasterboard to painted surfaces. For all sealed surfaces, they recommend a primer coat before multiple layers of Bauwerk paint. Check out the pastel color palette by Bauwek – https://www.bauwerkcolour.com/en/colour-lab

In short, lime washes come in pale colors with higher value and lower saturation in the HSV color model. Pale tints of primary and secondary colors. They are often described as soothing, washed-out, milky, and soft because of their weak chromatic content. Some of the most commonly used pastel colors are off-white, peach, lavender, mint, baby blue, pink, and lavender.

Greek Cottage by Ryan Spencer
#CBE0F4 #9BC4E0 #E5E1EB #E3D7E6 #C7C9E0

Photography by Quentin Lagache
#E8ECEC #CADDE4 #A6C4D0 #88ACBC #EBDBD1

Northwest Washington by Erol Ahmed
#F7DFD6 #F0D1C3 #ECAE9B #CE755F #B7D1D5

La muralla Roja 2 by beasty .
#F4C5C9 #EFA5A8 #E496A0 #C36D78 #BE535D

Irsha Street by Fee Billen
#D6E5F1 #F9E8C7 #BAB4BD #E0C2D6 #D0CAA6

Pastel palettes might be soft and subtle but they can make a powerful impact on designs. Their dual personality brings the unique ability to soothe the viewer while still managing to maintain vibrancy and brightness. Limewash colors have a somewhat of a therapeutical and calming effect on your mind.

These soothing color combinations can simultaneously calm and also boost the viewer’s mood due to the serene setting they create. This way designs can impact the audience by creating a warm, energetic, and enthusiastic mood without exhaustion. Pastels easily remind of spring and summer, sweets and babies, and bring joy and optimism.

We at Vanamu, we are researching limewash techniques from around the world. We were first exposed to limewashes from the master Amel Kadic, at live projects of Varun Thautam in Mexico – see- http://www.varunthautam.com/2018/03/casa-daniel/.

The typical latin name for limewash – “Jablega”, is commonly applied on ultra rough surfaces of cob, adobe, stone, sillar, brick and daub.

<@shobhan insert images from Amels workshop at Casa Daniel>

A larger source of practical notes comes from the workshops attended with master Laurent Coquemont in Mexico.

<@shobhan insert images of limewash from Laurent coauemont>

We conduct hands-on workshops for multiple techniques with lime.

<@shobhan need images of limewashes on vanamu walls, tagging people>

Feel free to contact us for your next project, we will be happy to prepare samples, the limewash mix, ship it over, teach your local painter and publish your project!

Natural Plasters and Finishes @Vanamu

WHY NATURAL PLASTERS?

A plaster that breathes, regulates temperature and humidity inside the building, absorbs both noise and odors and that ages beautifully with time. Add to that the infinite possibilities in aesthetics; Coloured or Natural, smooth or grainy, regular or patterned, contemporary or rustic; earth plaster is irresistible! Additionally, unlike paints and other chemical coatings they do not emit any volatile components which could be harmful to our health and being locally available, they reduce the environmental impact of your construction. Anybody can create and apply its own natural plaster with the soil of its place, a dose of creativity, a trowel of motivation and a bit of experience!

WHAT WILL YOU LEARN HANDS ON?

Lime surkhi finish plasters – sponge and trowel finished

Stuccos with Lime

Limewashes – Jabelgas with various oxides

Tadelakt

Fine and Ultra fine clay plasters

PROGRAM

09:00 > 09:45 – Theory sessions

09:45 > 10:00 – Tea break

10:00 > 13:00 – Hands on training / Theory sessions

13:00 > 14:00 – Lunch break, Lunch included

14:00 > 18:00 – Hands on training

18:00 > 19:00 – Q and A over Chai Samosa

VENUE

The workshop will take place at our studio space “Vanamu” @ yelahanka, Bangalore.

Vanamu

no 29, 1st Main, 1st A cross, Chikkabommasandra, GKVK post, Yelahanaka New Town

Bangalore, Karnataka 560065

Location: https://goo.gl/maps/dmAGGTgC76MhKRuz9

Be ready to get dirty! Carry a good hat and drinking water

REGISTRATION & FEES

Max : 10 participants

Fees : Rs 6000 (without food and accommodation), Rs 8000 (With food and accommodation)

TAUGHT BY

Varun Thautam www.varunthautam.com

Guest Artisans – Ananth Nagarajan / Yogesh / Siddha

How to prepare for this workshop?

  1. Get your list of questions ready and prepare for the Individual presentations and ideation – You will be required to share a few images of your past work/experience, or of the kind of work you need/aspire to. Prepare for a 5 min presentation with images. 
  2. Browse through a bibliography of sorts here: https://docs.google.com/spreadsheets/d/1byuNxjvdllu4DId_IKJDbeH1MBYCxCZBknu8V06dq2U/edit?usp=sharing
  3. See the images of past workshops here:

https://drive.google.com/drive/folders/19DTLKfOn5bLwY_H63ot6mgQUozBvkTVn?usp=sharing

  1. If you find the time, start your reading here: 

https://drive.google.com/drive/folders/1Np5Vm5tQWfvtgaNfj7VPwHBCsy6uq9zV?usp=sharing

  1. Bring in mud / lime samples, samples of mixes / plasters / pigments you are working with. 

How to get here?

https://goo.gl/maps/sTKWXSAkDup9hzC3A

We are still waiting to register our location with google. So here is an attempt, 

  1. As you come down Chikkabommasandra Main road (Kanti Sweets shall be to your left)
  2. Take the second left, then the first left and another first left to reach the dead end, we shall be on your left. 

Where to stay, eat and dine?

For the people opting for food and stay, we are setting people up at local accommodations, within 2 Kms radius of Vanamu. Meals will be arranged by Vanamu, if you have opted for it.

Refund policy
We will not be able to refund your amount in the case you cancel your registration. However it is transferable or can be adjusted towards our next workshops.
In case we have to reschedule due to low volume of registrations, or unforeseen events, we shall have to adjust the fee towards our next workshops. A decision will be taken 2 weeks prior to the workshop, based on the turnout.

 

Build the Maya Mandalam – Mar 2022

WhatsApp Image 2022-02-26 at 07.41.48

II MAYA MANDALAM II

@mayavadi_organic_farm_nandi is an experiential off-grid farm located in Nandi Hills, Bangalore. Within over 9 years of existence, they have been experimenting with the locals, agricultural techniques which allow combining farm activities and ecosystem regeneration.

This Maha Shivratri join us in building a Community-driven, Consciousness dome at Mayavadi, a symbol that would be built and nurtured by visitors to Mayavadi. We wish to provide a meditative space nestled in nature, that helps one connect with their inner consciousness.

Facilitated by @varun_thautam & Poobala Krishnan from @mayavadi_organic_farm_nandi the Hands-on Workshops spread across 10 days would see the participants learn to build Vaults & Catenary Dome with Brick and Lime, Plastering and Waterproofing with Lime, the traditional way. The participants shall also explore a spectrum of activities like permaculture, yoga, natural farming, art, and small treks and swim in the nearby Channagiri hillside.
We have the following options for the participants to choose from for registering:
Batch 1: 4th – 6th March, 2022
Batch 2: 11th -13th March, 2022
Long-term apprenticeship: 4th-13th March, 2022

More registration details in the poster and link in bio. Kindly DM Instagram @va_namu
& @grahani_gaatha for any assistance in registering.

VENUE and ACCOMMODATION
https://goo.gl/maps/DuBWfrPX5jL173qK7
More information about the space on.
https://www.airbnb.co.in/rooms/16253939 (Your registration includes the food at stay at this location)
Accommodation might be in a studio space / covered machan/tent with bathroom and shower facilities.

FOOD
Simple organic meals shall be prepared on all three days during your stay for the workshop.
This excludes the breakfast of the first day and the dinner of the last day.

FEES:

Rs 7,500 for full time students with a valid ID.
Rs 10,000 for others
Rs 2,000 for children under 10
Rs 15,000 for full time apprenticeship.

Fees include, food and stay, building materials and tools, teaching fees.
The cost of travel to Mayavadi is not included, but you might be able to hitch a ride with others driving down.

REGISTRATION & FEES

To register, make a payment via this link: https://rzp.io/l/7osg2iXvjU
Max : 10 participants

CONTACT

Namrata Toraskar 7022160372 (For general queries, payment)

Varun Thautam 6361591177 (Whatsapp only, for questions on workshop content)
ORGANISERS

Poobala Krishnan – @mayavadi_organic_farm_nandi (instagram)

Namrata Toraskar www.vanamu.org

Varun Thautam www.varunthautam.com

Bioclimatic design – Sites and tools

Climatic data sites: 
http://www.worldclimate.com/
https://en.climate-data.org/
https://www.weatherbase.com/
https://www.climatedata.eu/
Sun path tools: 
http://andrewmarsh.com/apps/staging/sunpath3d.html
http://andrewmarsh.com/apps/releases/sunpath2d.html
https://www.esrl.noaa.gov/gmd/grad/solcalc/azel.html
https://www2.pvlighthouse.com.au/calculators/solar%20spectrum%20calculator/solar%20spectrum%20calculator.aspx
Reference BooksSketchup Tools

BIM Tools

Week 1 – Bioclimatic design workshop

Lecture slides (under development)

Bibliography for the lecture slides

  1. Thermal delight in Architecture – Lisa Heschong
  2. Topophilia: A Study of Environmental Perception, Attitudes, and Values – Yi fu Tuan
  3. Psychoanalysis of Fire – Gasteon Blanchard
  4. The timeless way of building – Christopher Alexander
  5. A pattern language – Christopher Alexander
  6. Building, dwelling, thinking – Martin Heidegger
  7. The Architecture of the Well-Tempered Environment – Reyner Banham
  8. House Form and Culture – Amos Rapoport
  9. The Phenomenology of Spirit – Georg Wilhelm Friedrich Hegel

http://handmadearchitecture.org/bioclimatic-design-sites-and-tools/

Suggested reading activity 

Browse through chapter 2-3 from coursebook and the Koppen system. – Otto H Koenigsberger, O. H.IngersollT. G.Mayhew. Manual Of Tropical Housing & Building

Required Activity (due before start of class 2)

During the entire course, you shall use a local vernacular building (single standalone room) / small monument / small room (that you want to redesign) to analyze and document inferences. You shall be documenting your weekly progress as a Pechakucha Presentation, that will be shared with the rest of the class – Use this presentation as a template. Upload your ongoing work here before the class so that it can be reviewed weekly.

See final work of a few past students here 1, 2,3,4,5, 6 (these are project reports)

For week 1, please develop 5-6 slides that include most of the following in the presentation. Everything marked bold, is mandatory. 

  1. Name of the house and a breif history.
  2. Location, climatic data and classification of the climate using the Koppen system. (will be explained in class)
  3. Graphical representation of the climate as explained in class. (Use the links above, find the nearest weather station, please graphical representation on the slide)
  4. Architecture:
    • Plans and elevations / perspectives (hand drawn, if not readily available)
    • General orientation and layout of spaces.
    • Materials of construction and the construction systems (draw or find sections) of floor, Walls, roofs
    • Windows and openings – location, direction and size
    • Surfaces and textures
    • Description of interior atmosphere
  5. Anthropology
    • How architecture relates to their work and livelihood.
    • Purpose of each space and how occupants use spaces.
    • Interior objects – ornament and ornamentation, fabrics
    • Occupants and their lifestlye (when, during the day / night do they occupy spaces)
    • Clothing and fabrics
  6. Geography
    • Local resources and skills
    • Size of land holding and usage of land
    • Relation of the four elements, fire, earth, water and wind

Additional reading

Book: Dwellings : the vernacular house world wide / Paul Oliver.London : Phaidon, 2007.
Book: Dwellings : the house across the world / Paul Oliver. Oliver, Paul, 1927
Book: Atlas of vernacular architecture of the world / Marcel Vellinga, Paul Oliver, and Alexander Bridge. Abingdon, Oxon : Routledge, 2007.

Book: Built to meet needs : cultural issues in vernacular architecture / Paul , Oliver, Paul, 1927- Amsterdam ; London : Architectural, 2006.
Book: Homeplace : The Making of the Canadian Dwelling Over Three Centuries,Ennals, Peter, Holdsworth, Deryck, 1998
Book: Casas hechas a mano y otros edificios tradicionales : arquitectura popular / John May, May, John, 1950-Barcelona : Blume, 2011.
Book: http://unesdoc.unesco.org/images/0006/000683/068316eb.pdf